It was an impossible plane in that world. . .
Men believed in him.
W.C.W.
The ground is moving
Beneath him it moves
With him
With his changing
Changes come
Into being from formality
This is not new
Nor uncommon but
Phenomenal and fantastic
It is freedom of a
real sort
Well documented and making
it-
self continually creating problems
For itself in the environment of its making
For being freely made it encounters
Its constitution a being in the new world
From a series of steps
A place freedom
after itself
Hence there are duels
Challenges among the
freed men
The loose and the dead
Whose outcomes we
expect
Little of but care greatly for
See the articulation! How previously made how little remains
But the structure! The sound
Of history beating becoming meaning
In meaningful ways
“O’ he was just mean” they say
“His smile betrayed it
all” the niceties
and the women “did you see him with his daughter?”
“They were too close” they say
“Its unnatural to love her as he did and his wife”
—how beautiful “she
bore a scar” with her child
All this the charm
To explain the charm
Away always
For a killer in a fair
fight
Can’t be beat while
fighting or waking
For that matter the world folds to such men
Even as their shape erodes
Taking with it
everything but a vigor
That matters most
Only by omission in fact can
such men be beat
The trade secret of
a narrative now long
Since decommissioned the excavation beginning continuing here
As it has elsewhere
In other times revealing
The striations of our
time’s founding
Aaron Burr
Aaron Burr
Aaron Burr
The affixing of
movement a
Point when all were
not but
Some were really now
famously so
Aaron Burr
Aaron Burr
Aaron Burr
II.
Think of Sade removed
By a letter publicly
Defeated
His persistence Paz’s volcano
The extremity of his furor
Its appropriate enactment
In writing by
Writing coming
About around him
In Vincennes
In the Bastille
In Charenton
Following him loving
him
Like a sister-in-law or manservant
Latour with under the Spanish
fly
Only then right
After aphrodisiacs right
Could he control even his own nature
And even then right
A foundation right
In our world right
His libertinage was he not
Already one before making
Himself others one
Hadn’t it already been
purchased
Before Rose Keller her
remarkable trait
Of not doing that for
Some things just can’t
be bought
From some so others
Must be made
His freedom then
As before subject
To no one but itself
In Vincennes
In the Bastille
In Charenton
Sade wrote the
revolution
Before and after it happened
Whether it listened or not
Ears are the last of
the sensual text’s concerns
As materials other
than
Meals, wine and paper to document were his
Ours now his writing
Its not rebellion not peering outside its grounds
Nor indifferent to its
creation a
real tragic thing
Thus something else some
Part written for
abundance present
Materials not a lack of others
He brought them
He consumed them like never before
He made himself what he was
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